Doggo Majima and Kazuma Kiryu plushies are coming!
If you want to be notified once they’re available, please give me your email HERE
I’m planning to launch some plushies very soon and this is the second sample I got from my supplier! I still need to fix some details but they are almost done ❤
·Size is 25 cm so they are BIG and huggable!
·Magnet on their hands to hold Majima’s knife, Nugget and a micro
·Yakuza plushies will be available as a crowdfunding on a later date!
I’m loving this new trend of people going to zoos and participating in animal enrichment. We use to observe large exotic animals for our entertainment, but the fact is that we are now trying to make ourselves equally as entertaining for them. It’s interactive, completely parpicipatory and I would argue that eventually someone’s gonna come up with something new enough that it expland ethologists understanding about how some animals think, problem solve, communicate and feel and I think its fantastic.
Human: play?
Aquatic creature from an entirely different branch of the animal tree: play!
My dad regularly sings to my mom about how much he loves her while standing exactly in the way of whatever she’s trying to do
My parents didn’t marry until I was 4 and they regularly forget that they’re spouses. They generally refer to themselves as partners
My mom proposed to my dad by yelling at him from a room away that her taxes were fucked and they had to get married to which my father replied “this is how I always dreamed you’d ask me!” and pretending to swoon
My dad appears as an actor in the movie Swoon, supposedly an important piece of queer cinema
My parents were both punks in their youth
When I came home for thanksgiving with a mohawk, unannounced, my mom started crying because I looked “so handsome” and “just like your dad” and kept petting my head
My dad only says “that’s my boy” to me when I say something gay about men
My mom and dad have the same taste in women but opposite taste in men
One time we were watching a movie set in Chicago and my mom turned to my dad, and in the most sentimental mom voice, said “Chicago honey! We haven’t been there since the anarchist convention!”
My dad worked on California’s weed legalization bill
every time this post comes around, my favorite part is the “I know it’s the Mets” qualifier at the beginning lmao like how baseball that this zillion note posts starts with “sorry for putting this hellteam on your dash, bUT”
Y’all have no idea how hard I was trying not to laugh in class at that poor bird
They…they just blew up a fucking bird…
Ball’s dead. Bird’s dead. I’m dead
World Heritage Post
personally my favorite thing about Mr. Bird Evaporator is this
imagine being the poor fool tryna rob this man’s house only to be instantly transported to the same dimension as that bird
He does photography now, and I guess just in case you’re booking him wondering “is it that Randy Johnson?” … here’s his logo:
I have no idea what the story of this anime is, and it’s pretty obvious who the protag is, but I’m gonna add character to the girls to the left with no face
introducing these two background characters in this slice of life romantic comedy/drama - they love each other a lot, and the girl to the left is grumpy because her girlfriend to the right forgot to give her her good morning kiss.
taller girl on the right is oblivious because she was so excited when they got up because she’s treating her girlfriend to a surprise date at the amusement park that she forgot to give her a good morning kiss. they’ll have their first smooch of the day at the very top of the ferris wheel 💋
the guy to the right of the protag (with the glasses) is a simple office worker who loves his family very very much and cannot wait to get back home to his children
The guy on the far left is wanting to get home to make dinner. He lives alone, but he promised his kitten they would have some grilled fish as a treat! He loves her very much.
The tall one behind the two girls just got back from a job interview. He didn’t get the job but he’s confidant he’ll get the next one. He needs to provide for his son and two daughters after all.
Person to the left of the pink hair girl is a retired hit-man struggling to adjust to a normal life but hes recently found a woman that works at a cafe down the street from his new job and things seem to be going well.
the man on the far far right is anxious as it’s his and his boyfriend first date aniversary and that’s the longest he lasted in a relationship, he is confident that this one will last tho
This is so pure.
Everyone is the protagonist of their own story.
Everyone is the protagonist of their own story.
Can we have an anime series like this? where every episode starts on the same group of people in the train car and we follow a different protagonist from that group each episode?
like, here’s the premise: each episode opens on an image like the one OP posted, with one person drawn as a typical anime protagonist while everyone else around them is in that faceless minimalist background style. However, when the train stops, the camera follows one of the background characters out of the train.
Over the course of the episode, we are shown a day in that character’s life, the people with whom they interact, the ups and downs they go through, etc, and as we learn more about them, their features gradually become more defined, until the episode ends with them fully drawn and all necessary details present.
Each episode focuses on a different background character, and the protagonist is never given the spotlight until the final episode, when it is revealed that they are just a cardboard cutout that one of the train’s occupants has been tasked with delivering
and there are subtle hints throughout the series that foreshadow this reveal; a figurine on a shelf in the foreground, a video on a screen in the background, a magazine cover, etc., but we don’t notice because our focus is on that episode’s character.
so it symbolically demonstrates how everyone is intimately familiar with this fictional character, hence their being drawn fully detailed from the beginning, but you have to take the time to get to know the actual people that you encounter on a daily basis, and that everyone truly is the protagonist of their own story.
To Wong Foo Thanks for Everything, Julie Newmar (1995)
Dir. Beeban Kidron
This was such a formative movie
This shit was revolutionary for the mid-90s. Among other things it helped me understand that transgender and cross-dressing were completely separate things.
To this day, I am in awe of the fact that Patrick Swayze not only campaigned hard to get the audition, not only auditioned in dress and makeup, but spent most of the day leading up to the audition walking around LA in dress and makeup.
This was a man who could sing, dance, act, ride a horse, fight, and walk in heels, he had nothing to prove to anyone, and he is MISSED.
Okay, I’m not done feeling about this.
If you’re younger, you may not know Patrick Swayze; he was Taken From Us in 2009. But Patrick Swayze was an icon of masculinity. Men were willing to watch romantic movies because Patrick Swayze was in them.
Patrick Swayze was fucking beefcake.
And this man didn’t just agree to do a movie where the only time he’s not actually in drag is the first three minutes, which involve stepping out of the shower, doing make up, and getting Dressed. He has ONE LINE that is delivered in a man’s voice, and it’s not during those three minutes.
And if you watch those three minutes, you see a stark difference between his portrayal of Miss Vida Bohéme and Wesley Snipes as Noxeema Jackson. (I am not criticizing Snipes’ performance. They were different roles.) Noxeema was a comedy character. Chi-Chi was a comedy character. But Miss Vida Bohéme was a dramatic role, played by a dramatic powerhouse.
When Vida sits down in front of the mirror, she sees a man. And she doesn’t like it.
Then she puts her hair up, and her face lights up.
“Ready or not,” she says. “Here comes Mama.”
And while Noxeema is having fun with her transformation (at one point breaking into a giggling fit after putting on pantyhose), Vida is simply taking pleasure in bringing out her true self. And when she’s done, she sees this:
And you can FEEL her pride.
All of this from an actor who, up to this point, walked on to the screen and dripped testosterone.
the fact that some of you history-ignorant children in the notes are trying to shit on groundbreaking historical queer cinema because it doesn’t meet 2021 standards is infuriating. sit down, shut the fuck up, and listen to the elders in the room for fucking once
This. If you have never lived in a world where queerness was universally pathologized and criminalized to the point that even IMAGINING a world where it wasn’t constituted a radical and potentially dangerous act, you don’t have any business judging those of us who have for how we survived it and how we found (or still find) comfort in the few imperfect representations we got.
You don’t have to like it. You probably aren’t capable of “getting” it. And to be honest, I don’t want you to! I am glad that young queer people will never know exactly what it was like “back then.” But what you also will not do is refuse to learn your own history and then shit on everything that came before you, because like it or not what came before you is the reason you will never have to get what it was like back then.
On Wesley Snipes’s role Noxeema and John Leguizamo as Chi-Chi Rodriguez.
“I grew up in the ‘70s and even within the street culture, there was a lot of flamboyancy,” Snipes told TODAY of his perception of drag before filming. “Pimps wore the same furs as theprostitutes wore.
“Some of the great musicians of the world, like Parliament-Funkadelic, were very androgynous. So it wasn’t really new for me to see men dressed as women or men dressed as drag queens.”
Snipes attended the famed LaGuardia High School of Performing Arts and then State University of New York at Purchase. He wasn’t a dance major, but most of his friends were. “That exposed me to the world of glam, vogue, drag, transgender and gay people, LGBTQ… but it wasn’t in fashion those days. But it existed and I was around it.”
Not only did “Priscilla, Queen of the Desert” pave the way for “To Wong Foo,” so did films like the 1968 documentary “The Queen” and “Paris Is Burning,” the 1990 doc that chronicled ball culture of New York and the various Black and queer communities involved in it.
Even though he was known for his action roles, Snipes’ portrayal of Noxeema wasn’t the first time he played a drag queen. In 1986, he made his Broadway debut in the play “Execution of Justice,” playing Sister Boom Boom, a real-life AIDS activist and drag nun who acted as the show’s voice of conscience. Snipes pointed out, “Sister Boom Boom did not have Noxeema’s makeup kit.”
On whether he got any pushback for stepping into Noxeema’s pumps, he said, “Not so much professionally but the streets weren’t feeling it, and there were certain community circles. The martial arts community… they were not feeling it at all.”
“In fact, when the movie came out and they would come down the street, I would see them in Brooklyn sometimes, they started listing all my movies. I noticed they would always skip that one. I would correct them, ‘Now you don’t got the full count!’”
Lesser-known than his co-stars at the time, Lequizamo didn’t really anticipate becoming a transgender icon, but he did know that they were working on something special when they started filming.
“Drag didn’t really exist in movies,” Lequizamo, who was nominated for a Golden Globe for his portrayal, told TODAY. “There were straight men pretending to be women to get out of trouble or into trouble but this was not that. I was trying to make Chi-Chi a real life trans character and Patty and Wesley were trying to be real drag queens.” Never fully articulated in the film, Chi-Chi Rodriguez has always been perceived as transgender, something that ending up making an indelible mark on LGBTQ people in the late ‘90s as trans representation in media was limited.
“Chi-Chi was a trans icon, but she also showed us that gay men and trans women can both perform and work in drag side by side, and that those relationships are symbiotic,” Cayne explained.
“It was a powerful thing. I get lots of fan mail from LGBTQ teens telling me how my character helped them come out to their parents,” Leguizamo said. “They didn’t feel like they were seen, so that was a beautiful gift from the movie.”
Lequizamo also articulates that if “To Wong Foo” were cast today, a trans actor should be cast in his role. (And that just may happen, since Beane is developing a musical for Broadway.)
“Anybody can play anything, but the playing field is not fair that way,” he said. “Not everybody is allowed to play everything. So until we get to that place, it is important for trans actors to get a chance to act which they don’t. In the project I’m doing, I’m making sure that the person playing trans is a trans person so we can make it legit, make it real. That just needs to be done right now.”
a monumental film in the library of queer history.
it was formative for modern society, too.
there are a lot of action fans out there who learned from their idols that respect doesn’t cost a damn thing to give. i know plenty of people who aren’t queer saw trans women and drag queens presented as people to them for the first time in wong fu. suddenly, strange and foreign queer identities that had only been presented to them as jokes if they’d even heard of them, seemed a little more relatable, and very human.
we’re all just people.
snipes, swayze, and leguizamo were willing to play people a lot of their fans didn’t respect yet or didn’t even know how to respect and demand they figure it the fuck out.
This is a HUGE reblog but I watched this as a little girl on cable TV and I’m so glad I did. GO WATCH THIS AS SOON AS YOU CAN
I’d love it if To Wong Foo was inescapably broadcast once a year, like A Christmas Story.
For every terf that sends me anon hate, I just reblog this post again.
again i want to say that non-queer and non-trans actors (although first of all, it is not up to you or me to write that identity for or over people we have never met and do not owe it to us) are fucking important. A lot of these actors have taken career hits. They’ve taken hits for the queer community because they could stand to take hits that we could not.
and i am so fucking grateful for these people and i’m grateful when we can do re-makes, but never forget that we are able to do those because others took shots that were intended for us. and that we have taken shots in the past.
and nobody owes you their identity. It is utterly insane to ask actors to disclose their sexuality or gender to play a character on the screen. it is utterly important to cast queer and trans people and to have that representation. these thoughts can and do coexist.
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